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As part of Berlin Fashion Week, we presented our Fall/Winter 2026 collection on 30 January 2026 in an impressive fashion show that uniquely combined fashion, music and staging – accompanied by the evening's star guests, model icon Jerry Hall and her daughter Elizabeth Jagger, as well as Hollywood actress Kelly Rutherford once again.
MARC CAIN FASHION SHOW 2026
As part of Berlin Fashion Week, we presented our Fall/Winter 2026 collection on 30 January 2026 in an impressive fashion show that uniquely combined fashion, music and staging – accompanied by the evening's star guests, model icon Jerry Hall and her daughter Elizabeth Jagger, as well as Hollywood actress Kelly Rutherford once again.
The high-profile guests included Sylvie Meis, Bettina Zimmermann, Frauke and Nele Ludowig, Kim Feenstra, Ada Fijal and Anna-Maria Sieklucka.
At the beginning, the looks featured a light colour palette – entirely in keeping with the spirit of Pantone's colour of the year, Cloud Dancer. Soft knitwear looks with unusual ocelot patterns stood out powerfully against the blue floor. Gradually, the colour spectrum shifted to warm, earthy tones and gained depth.
FALL/WINTER 2026 COLLECTION
At the beginning, the looks featured a light colour palette – entirely in keeping with the spirit of Pantone's colour of the year, Cloud Dancer. Soft knitwear looks with unusual ocelot patterns stood out powerfully against the blue floor. Gradually, the colour spectrum shifted to warm, earthy tones and gained depth.
Strong materials such as cosy faux fur in surprising shades like orange or pink brought a confident seventies vibe to the runway, while leather and suede lent the looks a modern, urban coolness.
The colours were bold and maximalist: from elegant grey with delicate pink to electrifying colour mixes. Orange, aubergine, pink, lemon yellow and grass green were deliberately combined – pure dopamine dressing.
Strong materials such as cosy faux fur in surprising shades like orange or pink brought a confident seventies vibe to the runway, while leather and suede lent the looks a modern, urban coolness.
The colours were bold and maximalist: from elegant grey with delicate pink to electrifying colour mixes. Orange, aubergine, pink, lemon yellow and grass green were deliberately combined – pure dopamine dressing.
Animal prints such as cheetah and leopard were also featured, some in black and white or as faux pony skin, complemented by trendy paisley interpretations. Accessories such as Jackie O-style pillbox hats, ties, scarves, sunglasses and long gloves complemented the styles. Bags were worn in pairs – overaccessorising as a statement. Old money aesthetics met casual layering, masculine tailoring with accentuated shoulders merged with feminine details such as brooches and bow ties.
Animal prints such as cheetah and leopard were also featured, some in black and white or as faux pony skin, complemented by trendy paisley interpretations.
Accessories such as Jackie O-style pillbox hats, ties, scarves, sunglasses and long gloves complemented the styles. Bags were worn in pairs – overaccessorising as a statement. Old money aesthetics met casual layering, masculine tailoring with accentuated shoulders merged with feminine details such as brooches and bow ties.
For the finale, we presented the elegant highlights of the Glam label.
For the finale, we presented the elegant highlights of the Glam label.
The staging also followed the idea of sound and rhythm: blue LED sticks arranged at different heights were reminiscent of an equaliser, while blue carpets and the semi-circular setting structured the room.
The models entered the runway behind the light sticks and moved across a catwalk more than 70 metres long, which impressively highlighted the vastness of the hall.
The staging also followed the idea of sound and rhythm: blue LED sticks arranged at different heights were reminiscent of an equaliser, while blue carpets and the semi-circular setting structured the room.
The models entered the runway behind the light sticks and moved across a catwalk more than 70 metres long, which impressively highlighted the vastness of the hall.
During the show and in the finale, the vocal trio MVX, known from The Voice Kids Germany, provided recurring emotional highlights with modern songs and reinforced the dialogue between fashion and music.
During the show and in the finale, the vocal trio MVX, known from The Voice Kids Germany, provided recurring emotional highlights with modern songs and reinforced the dialogue between fashion and music.
The venue was the iconic Great Recording Hall of the Funkhaus Berlin, famous for its exceptional acoustics. A place that, like no other, stands for the interplay of sound, space and atmosphere, providing the perfect stage for the show's motto, ‘Echo of Now’. Music and fashion merged into a cultural symbiosis, forming a fascinating statement in tune with the times. The live musical opening was performed by a singer with a female band, who performed the classic ‘Feeling Good’.
The venue was the iconic Great Recording Hall of the Funkhaus Berlin, famous for its exceptional acoustics. A place that, like no other, stands for the interplay of sound, space and atmosphere, providing the perfect stage for the show's motto, ‘Echo of Now’. Music and fashion merged into a cultural symbiosis, forming a fascinating statement in tune with the times. The live musical opening was performed by a singer with a female band, who performed the classic ‘Feeling Good’.
